Los

845

PRICE MANOHAR BEING ENTERTAINED DECCAN, PROBABLY GOLCONDA, EARLY 18TH CENTURY

In Indian Paintings Online: including selections ...

Diese Auktion ist eine LIVE Auktion! Sie müssen für diese Auktion registriert und als Bieter freigeschaltet sein, um bieten zu können.
Sie wurden überboten. Um die größte Chance zu haben zu gewinnen, erhöhen Sie bitte Ihr Maximal Gebot.
Ihre Registrierung wurde noch nicht durch das Auktionshaus genehmigt. Bitte, prüfen Sie Ihr E-Mail Konto für mehr Details.
Leider wurde Ihre Registrierung durch das Auktionshaus abgelehnt. Sie können das Auktionshaus direkt kontaktieren über +1 212 644 9001 um mehr Informationen zu erhalten.
Sie sind zurzeit Höchstbieter! Um sicherzustellen, dass Sie das Los erfolgreich ersteigern, loggen Sie sich erneut ein, bevor die Versteigerung des Loses am schließt, um Ihr Maximalgebot zu erhöhen.
Geben Sie jetzt ein Gebot ab! Ihre Registrierung war erfolgreich.
Entschuldigung, die Gebotsabgabephase ist leider beendet. Es erscheinen täglich 1000 neue Lose auf lot-tissimo.com, bitte starten Sie eine neue Anfrage.
Das Bieten auf dieser Auktion hat noch nicht begonnen. Bitte, registrieren Sie sich jetzt, so dass Sie zugelassen werden bis die Auktion startet.
1/2
PRICE MANOHAR BEING ENTERTAINED DECCAN, PROBABLY GOLCONDA, EARLY 18TH CENTURY - Bild 1 aus 2
PRICE MANOHAR BEING ENTERTAINED DECCAN, PROBABLY GOLCONDA, EARLY 18TH CENTURY - Bild 2 aus 2
PRICE MANOHAR BEING ENTERTAINED DECCAN, PROBABLY GOLCONDA, EARLY 18TH CENTURY - Bild 1 aus 2
PRICE MANOHAR BEING ENTERTAINED DECCAN, PROBABLY GOLCONDA, EARLY 18TH CENTURY - Bild 2 aus 2
Das Auktionshaus hat für dieses Los keine Ergebnisse veröffentlicht
New York, New York

PRICE MANOHAR BEING ENTERTAINED DECCAN, PROBABLY GOLCONDA, EARLY 18TH CENTURY Ink and wash on paper. Image: 7 1/2 x 3 3/4 in. (19.1 x 9.5 cm); Folio: 8 1/4 x 4 1/4 in. (20.9 x 36.2 cm) Footnotes: This painting is from a dispersed manuscript of Nusrati's Gulshan-I 'Ishg ('The Rose Garden of Love') that focuses on the complicated tale of several pairs of lovers. Starting with King Bikram and his wife, who cannot conceive until Bikram completes a journey of self-discovery, it continues with the adventures of their son, Prince Manohar, who, with another prince, rescues two kidnapped princesses. Although it is generally agreed that the series comes from the area of Golconda, scholars have been misled by the disparate dates on the verso inscriptions to assign dates from 1686 until about 1720. Bidar has been mentioned as a possible provenance by Zebrowski, in view of the series apparently being related to the Ragamala pages in the Nelson-Atkins Museum in Kansas City thought to be from there (Zebrowski, Deccani Painting, 1983, figs. 199-202) and the former Stuart Cary Welch collection (ibid., fig. 203). Other pages from this series are in Edwin Binney collection in San Diego (3 pages are published in Binney, Miniature Paintings, 1973, no. 148), the Rietberg Museum, Zurich (Blohm Led Up The Garden Path, 2011, fig. 1), the Foundation Custodia, Paris (ibid., fig. 3), the National Museum New Delhi, the former Paul Walter collection (Rieff, Rajput Miniatures, 1971-1972). Provenance Sam Fogg, London,30 November 2011 Conely Harris Collection, Boston For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

PRICE MANOHAR BEING ENTERTAINED DECCAN, PROBABLY GOLCONDA, EARLY 18TH CENTURY Ink and wash on paper. Image: 7 1/2 x 3 3/4 in. (19.1 x 9.5 cm); Folio: 8 1/4 x 4 1/4 in. (20.9 x 36.2 cm) Footnotes: This painting is from a dispersed manuscript of Nusrati's Gulshan-I 'Ishg ('The Rose Garden of Love') that focuses on the complicated tale of several pairs of lovers. Starting with King Bikram and his wife, who cannot conceive until Bikram completes a journey of self-discovery, it continues with the adventures of their son, Prince Manohar, who, with another prince, rescues two kidnapped princesses. Although it is generally agreed that the series comes from the area of Golconda, scholars have been misled by the disparate dates on the verso inscriptions to assign dates from 1686 until about 1720. Bidar has been mentioned as a possible provenance by Zebrowski, in view of the series apparently being related to the Ragamala pages in the Nelson-Atkins Museum in Kansas City thought to be from there (Zebrowski, Deccani Painting, 1983, figs. 199-202) and the former Stuart Cary Welch collection (ibid., fig. 203). Other pages from this series are in Edwin Binney collection in San Diego (3 pages are published in Binney, Miniature Paintings, 1973, no. 148), the Rietberg Museum, Zurich (Blohm Led Up The Garden Path, 2011, fig. 1), the Foundation Custodia, Paris (ibid., fig. 3), the National Museum New Delhi, the former Paul Walter collection (Rieff, Rajput Miniatures, 1971-1972). Provenance Sam Fogg, London,30 November 2011 Conely Harris Collection, Boston For further information on this lot please visit Bonhams.com For further information about this lot please visit the lot listing

Indian Paintings Online: including selections from

Endet ab
Ort der Versteigerung
580 Madison Avenue
New York
New York
10022
United States
...

Wichtige Informationen

This auction is now finished. If you are interested in consigning in future auctions, please contact the specialist department. If you have queries about lots purchased in this auction, please contact client services. View further information about this auction

AGB

https://www.bonhams.com/legals/
Vollständige AGBs