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2508

Sylvester ShchedrinThe Coast of SorrentOil on canvas, mounted on wood. 33 x 45 cm.CertificateLuisa

In Kunst des 19. Jahrhunderts

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Sylvester ShchedrinThe Coast of SorrentOil on canvas, mounted on wood. 33 x 45 cm.CertificateLuisa - Bild 1 aus 2
Sylvester ShchedrinThe Coast of SorrentOil on canvas, mounted on wood. 33 x 45 cm.CertificateLuisa - Bild 2 aus 2
Sylvester ShchedrinThe Coast of SorrentOil on canvas, mounted on wood. 33 x 45 cm.CertificateLuisa - Bild 1 aus 2
Sylvester ShchedrinThe Coast of SorrentOil on canvas, mounted on wood. 33 x 45 cm.CertificateLuisa - Bild 2 aus 2
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Köln

Sylvester Shchedrin
An der Küste von Sorrent

Öl auf Leinwand, auf Holz aufgezogen. 33 x 45 cm.

Gutachten
Luisa Martorelli, 10. Juni 2018.

Literatur
F. Mazzocca (Hg.): Romanticismo. Ausstellungskatalog Mailand 2018/2019, S. 87, Abb. 5.

Das vorliegende Gemälde hat Dr. Luisa Martorelli dem Werk des russischen Romantikers Sylvester Feodosievic Shchedrin zugeordnet und als wichtige Ergänzung zu dessen Oeuvre beschrieben.
Shchedrin kam 1818 nach Italien, zog zunächst nach Rom und dann nach Neapel, um sich später endgültig in Sorrent niederzulassen. Er trug wesentlich zur Bildung der sogenannten "Scuola di Posillipo" bei, der süditalienischen Landschaftsmalerei der 1820er und 1830er Jahre, die entscheidend geprägt wurde von Shchedrins Umgang mit den atmosphärischen Phänomenen und der Wiedergabe von Landschaft und Natur (siehe dazu: Il pittore russo Silvestr Šcedrin in Italia. In: Luce d'Italia. Silvestr Pitloo´s ed i suoi contemporanei russi. Dipinti, disegni e acquarelli dalla collezione del Museo Russo, Formia 2007).
Shchedrin hat immer wieder dieselben Orte aufgesucht und aus unterschiedlicher Perspektive und unter anderen Lichtverhältnissen in vorweggenommener „plein air Malerei“ gemalt (G. Goldovskij, E. Petrova, C. Poppi: La pittura russa nell´etá romantica, Bologna 1990, S. 73). Das hier präsentierte Gemälde ist ein weiterer Beleg dieser Arbeitsweise Shchedrins. Es steht im Zusammenhang mit einem seiner Bilder in der Moskauer Tretjakov Galerie, ebenfalls eine Ansicht der Bucht von Sorrent (44 x 61 cm messend und 1826 datiert) sowie mit einer weiteren, deutlich kleineren Variante in Privatbesitz. Dabei erweist sich unser Bild als Bindeglied zwischen dem ersten Entwurf und der größeren, reich ausstaffierten Darstellung in Moskau. Alle drei zeichnet die atmosphärische Intensität aus, die dem Maler so wichtig war.
Schon zu seinen Lebzeiten hatten die Werke Shchedrins großen Erfolg bei Sammlern und europäischen Aristokraten auf der Grand Tour. Obwohl er den Großteil seines reifen Lebens zwischen Rom, Neapel und der Amalfiküste verbrachte, befinden sich viele seiner bekannten Werke in russischen Institutionen, aber es sind - wie in diesem Falle - durchaus noch neue Entdeckungen in italienischen Sammlungen zu erwarten.



Sylvester Shchedrin
The Coast of Sorrent

Oil on canvas, mounted on wood. 33 x 45 cm.

Certificate
Luisa Martorelli, 10th June 2018.

Literature
F. Mazzocca (ed.): Romanticismo. Ausstellungskatalog Milan 2018/19, p. 87, illus. 5.

Dr. Luisa Martorelli attributes the present work to the Russian Romantic painter Sylvester Feodosievic Shchedrin, describing it as an important addition to his oeuvre.
Shchedrin travelled to Italy in 1818, first going to Rome, then to Naples, and later settling in Sorrent. He was an important influence on the so-called "Scuola di Posillipo" of Southern Italian landscape painters active throughout the 1820s and 1830s. They were deeply impressed by the Russian artist's rendering of atmospheric phenomena, landscape, and nature (for more on this relationship, see: Il pittore russo Silvestr Šcedrin in Italia, in Luce d'Italia/ Silvestr Pitloo´s ed i suoi contemporanei russi / dipinti, disegni e acquerelli dalla collezione del Museo Russo, Formia 2007).
Shchedrin visited the same locations again and again, painting them from different perspectives in differing light conditions, thus becoming a forerunner of “plein air” painting (G. Goldovskij, E. Petrova, C. Poppi, La pittura russa nell´etá romantica, Bologna 1990, p. 73). The present work testifies to this manner of working. It can be compared to two other works by the artist: One painting housed in the State Tretyakov Gallery in Moscow depicting the Bay of Sorrent, measuring 44 x 61 cm and dated 1826, and a significantly smaller version of the motif in private ownership. The present work represents a link between the principal sketch and the fully finished version in Moscow. All three paintings share the same atmospheric intensity for which this artist was so admired.
Shchedrin's works were popular among collectors and European aristocrats taking the Grand Tour throughout his lifetime. He spent the majority of his adult life in Rome, Naples, and the Amalfi Coast, but many of his most famous works are now housed in Russian museums, although there may still be many paintings - like the present one - still waiting to be discovered in Italian collections.

Sylvester Shchedrin
An der Küste von Sorrent

Öl auf Leinwand, auf Holz aufgezogen. 33 x 45 cm.

Gutachten
Luisa Martorelli, 10. Juni 2018.

Literatur
F. Mazzocca (Hg.): Romanticismo. Ausstellungskatalog Mailand 2018/2019, S. 87, Abb. 5.

Das vorliegende Gemälde hat Dr. Luisa Martorelli dem Werk des russischen Romantikers Sylvester Feodosievic Shchedrin zugeordnet und als wichtige Ergänzung zu dessen Oeuvre beschrieben.
Shchedrin kam 1818 nach Italien, zog zunächst nach Rom und dann nach Neapel, um sich später endgültig in Sorrent niederzulassen. Er trug wesentlich zur Bildung der sogenannten "Scuola di Posillipo" bei, der süditalienischen Landschaftsmalerei der 1820er und 1830er Jahre, die entscheidend geprägt wurde von Shchedrins Umgang mit den atmosphärischen Phänomenen und der Wiedergabe von Landschaft und Natur (siehe dazu: Il pittore russo Silvestr Šcedrin in Italia. In: Luce d'Italia. Silvestr Pitloo´s ed i suoi contemporanei russi. Dipinti, disegni e acquarelli dalla collezione del Museo Russo, Formia 2007).
Shchedrin hat immer wieder dieselben Orte aufgesucht und aus unterschiedlicher Perspektive und unter anderen Lichtverhältnissen in vorweggenommener „plein air Malerei“ gemalt (G. Goldovskij, E. Petrova, C. Poppi: La pittura russa nell´etá romantica, Bologna 1990, S. 73). Das hier präsentierte Gemälde ist ein weiterer Beleg dieser Arbeitsweise Shchedrins. Es steht im Zusammenhang mit einem seiner Bilder in der Moskauer Tretjakov Galerie, ebenfalls eine Ansicht der Bucht von Sorrent (44 x 61 cm messend und 1826 datiert) sowie mit einer weiteren, deutlich kleineren Variante in Privatbesitz. Dabei erweist sich unser Bild als Bindeglied zwischen dem ersten Entwurf und der größeren, reich ausstaffierten Darstellung in Moskau. Alle drei zeichnet die atmosphärische Intensität aus, die dem Maler so wichtig war.
Schon zu seinen Lebzeiten hatten die Werke Shchedrins großen Erfolg bei Sammlern und europäischen Aristokraten auf der Grand Tour. Obwohl er den Großteil seines reifen Lebens zwischen Rom, Neapel und der Amalfiküste verbrachte, befinden sich viele seiner bekannten Werke in russischen Institutionen, aber es sind - wie in diesem Falle - durchaus noch neue Entdeckungen in italienischen Sammlungen zu erwarten.



Sylvester Shchedrin
The Coast of Sorrent

Oil on canvas, mounted on wood. 33 x 45 cm.

Certificate
Luisa Martorelli, 10th June 2018.

Literature
F. Mazzocca (ed.): Romanticismo. Ausstellungskatalog Milan 2018/19, p. 87, illus. 5.

Dr. Luisa Martorelli attributes the present work to the Russian Romantic painter Sylvester Feodosievic Shchedrin, describing it as an important addition to his oeuvre.
Shchedrin travelled to Italy in 1818, first going to Rome, then to Naples, and later settling in Sorrent. He was an important influence on the so-called "Scuola di Posillipo" of Southern Italian landscape painters active throughout the 1820s and 1830s. They were deeply impressed by the Russian artist's rendering of atmospheric phenomena, landscape, and nature (for more on this relationship, see: Il pittore russo Silvestr Šcedrin in Italia, in Luce d'Italia/ Silvestr Pitloo´s ed i suoi contemporanei russi / dipinti, disegni e acquerelli dalla collezione del Museo Russo, Formia 2007).
Shchedrin visited the same locations again and again, painting them from different perspectives in differing light conditions, thus becoming a forerunner of “plein air” painting (G. Goldovskij, E. Petrova, C. Poppi, La pittura russa nell´etá romantica, Bologna 1990, p. 73). The present work testifies to this manner of working. It can be compared to two other works by the artist: One painting housed in the State Tretyakov Gallery in Moscow depicting the Bay of Sorrent, measuring 44 x 61 cm and dated 1826, and a significantly smaller version of the motif in private ownership. The present work represents a link between the principal sketch and the fully finished version in Moscow. All three paintings share the same atmospheric intensity for which this artist was so admired.
Shchedrin's works were popular among collectors and European aristocrats taking the Grand Tour throughout his lifetime. He spent the majority of his adult life in Rome, Naples, and the Amalfi Coast, but many of his most famous works are now housed in Russian museums, although there may still be many paintings - like the present one - still waiting to be discovered in Italian collections.

Kunst des 19. Jahrhunderts

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