Los

2012

Lorenzo di Credi (Lorenzo di Andrea d’Oderigo), circle ofThe Virgin adoring the Christ ChildOil on

In Fine Art

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Lorenzo di Credi (Lorenzo di Andrea d’Oderigo), circle ofThe Virgin adoring the Christ ChildOil on
Das Auktionshaus hat für dieses Los keine Ergebnisse veröffentlicht
Köln

Lorenzo di Credi (Lorenzo di Andrea d’Oderigo), Umkreis
Madonna in Anbetung des Jesuskindes

Öl auf Holz (parkettiert). 82 cm (rund).

Provenienz
Galerie Jaques Goudstikker, Amsterdam (verso Galeriesiegel in rotem Lack). – 1940 mit den Galeriebeständen an Alois Miedl und Hermann Göring. – Schweizer Privatsammlung.
2020 gütliche Einigung zwischen den Erben nach Goudstikker und den heutigen Besitzern.

Unser Tondo zeigt die knieende Madonna in Anbetung des auf dem Boden liegenden Jesuskindes. Während die Gottesmutter mit gefalteten Händen auf das Kind schaut, hat dieses den Blick direkt auf den Betrachter gerichtet. Durch zwei Fensteröffnungen ist im Hintergrund eine weite, flussdurchzogene Landschaft in Grün- und Blautönen zu sehen, die einen großen Teil der oberen Bildhälfte einnimmt.
Das Gemälde gehörte einst zum Bestand der Galerie Goudstikker in Amsterdam und wurde dort als Werk des Lorenzo di Credi geführt. Mit dieser Zuschreibung war es 1927 in Rotterdam und Amsterdam ausgestellt und im „Catalogue des Nouvelles Acquisitions de la Collection Goudstikker“ publiziert. Die Zuschreibung an Lorenzo di Credi erscheint heute jedoch nicht mehr sicher und so wird der Meister unseres Werks wohl eher im Umfeld des in Florenz tätigen Lorenzo di Credi zu suchen sein.
Als Jaques Goudstikker im Mai 1940 per Schiff aus Amsterdam floh und während der Überfahrt tödlich verunglückte, blieb das Gemälde in seiner Amsterdamer Galerie zurück. In dem von Goudstikker angelegten „Blackbook“ ist es auf der S. 47 mit der Sammlungsnummer 2226 aufgeführt. Unter Vermittlung von Lempertz konnte nun eine gütliche Einigung zwischen den Erben nach Goudstikker und den heutigen Besitzern erzielt werden.



Lorenzo di Credi (Lorenzo di Andrea d’Oderigo), circle of
The Virgin adoring the Christ Child

Oil on panel (parquetted). Diameter 82 cm (round)..

Provenance
Jaques Goudstikker gallery, Amsterdam. - In the gallery of Alois Miedl and Hermann Göring in 1940. - German private collection. - Amicable settlement between the Goudstikker heirs and the current owners in 2020.

This tondo depicts the Virgin Mary kneeling in adoration of the infant Jesus lying on the ground in front of Her. While the Blessed Mother is shown looking down at the Child with hands folded in prayer, Christ looks directly at the observer. A panoramic river-crossed landscape in shades of green and blue which occupies a large part of the upper half of the image can be seen in the background through the two windows. The painting once belonged to the Goudstikker Gallery in Amsterdam, where it was listed as a work by Lorenzo di Credi. It was exhibited in Rotterdam and Amsterdam with the same attribution in 1927 and published in the "Catalogue des Nouvelles Acquisitions de la Collection Goudstikker". Today, however, the attribution to Lorenzo di Credi has increasingly been cast into doubt, and thus the painter of the work is now sought in the Florentine circle of Lorenzo di Credi. When Jaques Goudstikker fled Amsterdam by ship in May 1940 and was killed in an accident during the crossing, the painting remained in his Amsterdam gallery. In the "Black Book" created by Goudstikker it is listed on p. 47 with the collection number 2226.
In accordance with the Washington Principles of 1998 and with the mediation of Lempertz, an amicable settlement has now been reached between Goudstikker's heirs and the work's current owners.

Lorenzo di Credi (Lorenzo di Andrea d’Oderigo), Umkreis
Madonna in Anbetung des Jesuskindes

Öl auf Holz (parkettiert). 82 cm (rund).

Provenienz
Galerie Jaques Goudstikker, Amsterdam (verso Galeriesiegel in rotem Lack). – 1940 mit den Galeriebeständen an Alois Miedl und Hermann Göring. – Schweizer Privatsammlung.
2020 gütliche Einigung zwischen den Erben nach Goudstikker und den heutigen Besitzern.

Unser Tondo zeigt die knieende Madonna in Anbetung des auf dem Boden liegenden Jesuskindes. Während die Gottesmutter mit gefalteten Händen auf das Kind schaut, hat dieses den Blick direkt auf den Betrachter gerichtet. Durch zwei Fensteröffnungen ist im Hintergrund eine weite, flussdurchzogene Landschaft in Grün- und Blautönen zu sehen, die einen großen Teil der oberen Bildhälfte einnimmt.
Das Gemälde gehörte einst zum Bestand der Galerie Goudstikker in Amsterdam und wurde dort als Werk des Lorenzo di Credi geführt. Mit dieser Zuschreibung war es 1927 in Rotterdam und Amsterdam ausgestellt und im „Catalogue des Nouvelles Acquisitions de la Collection Goudstikker“ publiziert. Die Zuschreibung an Lorenzo di Credi erscheint heute jedoch nicht mehr sicher und so wird der Meister unseres Werks wohl eher im Umfeld des in Florenz tätigen Lorenzo di Credi zu suchen sein.
Als Jaques Goudstikker im Mai 1940 per Schiff aus Amsterdam floh und während der Überfahrt tödlich verunglückte, blieb das Gemälde in seiner Amsterdamer Galerie zurück. In dem von Goudstikker angelegten „Blackbook“ ist es auf der S. 47 mit der Sammlungsnummer 2226 aufgeführt. Unter Vermittlung von Lempertz konnte nun eine gütliche Einigung zwischen den Erben nach Goudstikker und den heutigen Besitzern erzielt werden.



Lorenzo di Credi (Lorenzo di Andrea d’Oderigo), circle of
The Virgin adoring the Christ Child

Oil on panel (parquetted). Diameter 82 cm (round)..

Provenance
Jaques Goudstikker gallery, Amsterdam. - In the gallery of Alois Miedl and Hermann Göring in 1940. - German private collection. - Amicable settlement between the Goudstikker heirs and the current owners in 2020.

This tondo depicts the Virgin Mary kneeling in adoration of the infant Jesus lying on the ground in front of Her. While the Blessed Mother is shown looking down at the Child with hands folded in prayer, Christ looks directly at the observer. A panoramic river-crossed landscape in shades of green and blue which occupies a large part of the upper half of the image can be seen in the background through the two windows. The painting once belonged to the Goudstikker Gallery in Amsterdam, where it was listed as a work by Lorenzo di Credi. It was exhibited in Rotterdam and Amsterdam with the same attribution in 1927 and published in the "Catalogue des Nouvelles Acquisitions de la Collection Goudstikker". Today, however, the attribution to Lorenzo di Credi has increasingly been cast into doubt, and thus the painter of the work is now sought in the Florentine circle of Lorenzo di Credi. When Jaques Goudstikker fled Amsterdam by ship in May 1940 and was killed in an accident during the crossing, the painting remained in his Amsterdam gallery. In the "Black Book" created by Goudstikker it is listed on p. 47 with the collection number 2226.
In accordance with the Washington Principles of 1998 and with the mediation of Lempertz, an amicable settlement has now been reached between Goudstikker's heirs and the work's current owners.

Fine Art

Auktionsdatum
Ort der Versteigerung
Neumarkt 3
Köln
50667
Germany

Für Kunsthaus Lempertz Versandinformtation bitte wählen Sie +49 (0)221 9257290.

Wichtige Informationen

Nothing important.

AGB

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Conditions of Sale

1. The art auction house, Kunsthaus Lempertz KG (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Civil Code as commissioning agent on behalf of the accounts of submitters, who remain anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.

2. The auctioneer reserves the right to divide or combine any catalogue lots or, if it has special reason to do so, to offer any lot for sale in an order different from that given in the catalogue or to withdraw any lot from the sale.

3. All lots put up for sale may be viewed and inspected prior to the auction. The catalogue specifications and related specifications appearing on the internet, which have both been compiled in good conscience, do not form part of the contractually agreed to conditions. These specifications have been derived from the status of the information available at the time of compiling the catalogue. They do not serve as a guarantee in legal terms and their purpose is purely in the information they provide. The same applies to any reports on an item’s condition or any other information, either in oral or written form. Certificates or certifications from artists, their estates or experts relevant to each case only form a contractual part of the agreement if they are specifically mentioned in the catalogue text. The state of the item is generally not mentioned in the catalogue. Likewise missing specifications do not constitute an agreement on quality. All items are used goods.

4. Warranty claims are excluded. In the event of variances from the catalogue descriptions, which result in negation or substantial diminution of value or suitability, and which are reported with due justification within one year after handover, Lempertz nevertheless undertakes to pursue its rights against the seller through the courts; in the event of a successful claim against the seller, Lempertz will reimburse the buyer only the total purchase price paid. Over and above this, Lempertz undertakes to reimburse its commission within a given period of three years after the date of the sale if the object in question proves not to be authentic.

5. Claims for compensation as the result of a fault or defect in the object auctioned or damage to it or its loss, regardless of the legal grounds, or as the result of variances from the catalogue description or statements made elsewhere are excluded unless Lempertz acted with wilful intent or gross negligence; the liability for bodily injury or damages caused to health or life remains unaffected. In other regards, point 4 applies.

6. Submission of bids. Bids in attendance: The floor bidder receives a bidding number on presentation of a photo ID. Lempertz reserves the right to grant entry to the auction. If the bidder is not known to Lempertz, registration must take place 24 hours before the auction is due to begin in writing on presentation of a current bank reference. Bids in absentia: Bids can also be submitted either in writing, telephonically or via the internet. The placing of bids in absentia must reach Lempertz 24 hours before the auction to ensure the proper processing thereof. The item must be mentioned in the bid placed, together with the lot number and item description. In the event of ambiguities, the listed lot number becomes applicable. The placement of a bid must be signed by the applicant. The regulations regarding revocations and the right to return the goods in the case of long distance agreements (§ 312b-d of the Civil Code) do not apply. Telephone bids: Establishing and maintaining a connection cannot be vouched for. In submitting a bid placement, the bidder declares that he agrees to the recording of the bidding process. Bids via the internet: They will only be accepted by Lempertz if the bidder registered himself on the internet website beforehand. Lempertz will treat such bids in the same way as bids in writing.

7. Carrying out the auction: The hammer will come down when no higher bids are submitted after three calls for a bid. In extenuating circumstances, the auctioneer reserves the right to bring down the hammer or he can refuse to accept a bid. If several individuals make the same bid at the same time, and after the third call, no higher bid ensues, then the ticket becomes the deciding factor. The auctioneer can retract his acceptance of the bid and auction the item once more if a higher bid that was submitted on time, was erroneously overlooked and immediately queried by the bidder, or if any doubts regarding its acceptance arise. Written bids are only played to an absolute maximum by Lempertz if this is deemed necessary to outbid
another bid. The auctioneer can bid on behalf of the submitter up to the agreed limit, without revealing this and irrespective of whether other bids are submitted. Even if bids have been placed and the hammer has not come down, the auctioneer is only liable to the bidder in the event of premeditation or gross negligence.

8. Once a lot has been knocked down, the successful bidder is obliged to buy it. If a bid is accepted conditionally, the bidder is bound by his bid until four weeks after the auction unless he immediately withdraws from the conditionally accepted bid. From the fall of the hammer, possession and risk pass directly to the buyer, while ownership passes to the buyer only after full payment has been received.

9. Up to a hammer price of € 400,000 a premium of 24 % calculated on the hammer price plus 19 % value added tax (VAT) calculated on the premium only is levied. The premium will be reduced to 20 % (plus VAT) on any amount surpassing € 400,000 (margin scheme). On lots which are characterized by N, an additional 7 % for import tax will be charged. On lots which are characterized by an D, 35% is calculated on the hammer price (24% buyer´s premium + 19% VAT on the premium only + import tax). 31% is calculated on the amount surpassing € 400.000. The D objects contain all taxes, and tehy can not be carried away immediately. On lots which are characterized by an R, the buyer shall pay a premium of 24 % on the hammer price up to € 400,000 and 20 % on the surpassing amount; onto this (hammer price and premium) the statutory VAT of 19 % will be added (regular scheme). Exports to third (i.e. non-EU) countries will be exempt from VAT, and so will be exports made by companies from other EU member states if they state their VAT identification number. For original works of art, whose authors are either still alive or died after 31.12.1948, a charge of 1.8 % on the hammer price will be levied for the droit de suite. The maximum charge is € 12,500. If a buyer exports an object to a third country personally, the VAT will be refunded, as soon as Lempertz receives the export and import papers. All invoices issued on the day of auction or soon after remain under provision.

10. Successful bidders attending the auction in person shall forthwith upon the purchase pay to Lempertz the final price (hammer price plus premium and VAT) in Euro. Payments by foreign buyers who have bid in writing or by proxy shall also be due forthwith upon the purchase, but will not be deemed to have been delayed if received within ten days of the invoice date. Bank transfers are to be exclusively in Euros. The request for an alteration of an auction invoice to a person other than the bidder has to be made immediately after the auction. Lempertz however reserves the right to refuse such a request if it is deemed appropriate.

11. In the case of payment default, Lempertz will charge 1% interest on the outstanding amount of the gross price per month.. If the buyer defaults in payment, Lempertz may at its discretion insist on performance of the purchase contract or, after allowing a period of grace, claim damages for non-performance. In the latter case, Lempertz may determine the amount of the damages by putting the lot or lots up for auction again, in which case the defaulting buyer will bear the amount of any reduction in the proceeds compared with the earlier auction, plus the cost of resale, including the premium.

12. Buyers must take charge of their purchases immediately after the auction. Once a lot has been sold, the auctioneer is liable only for wilful intent or gross negligence. Lots will not, however, be surrendered to buyers until full payment has been received. Without exception, shipment will be at the expense and risk of the buyer. Purchases which are not collected within four weeks after the auction may be stored and insured by Lempertz on behalf of the buyer and at its expense in the premises of a freight agent. If Lempertz stores such items itself, it will charge 1 % of the hammer price for insurance and storage costs.

13. As far as this can be agreed, the place of performance and jurisdiction is Cologne. German law applies; the German law for the protection of cultural goods applies; the provisions of the United Nations Convention on Contracts for the International Sale of Goods (CISG) are not applicable. Should any provision herein be wholly or partially ineffective, this will not affect the validity of the remaining provisions.

Henrik Hanstein, sworn public auctioneer
Takuro Ito, Kilian Jay von Seldeneck, auctioneers

Vollständige AGBs