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Lyonel FeiningerLandstraßeAquarell und Tuschfederzeichnung auf faserhaltigem Papier 24,6 x 35,1/35,5

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Lyonel FeiningerLandstraßeAquarell und Tuschfederzeichnung auf faserhaltigem Papier 24,6 x 35,1/35,5
Das Auktionshaus hat für dieses Los keine Ergebnisse veröffentlicht
Köln

Lyonel Feininger
Landstraße

Aquarell und Tuschfederzeichnung auf faserhaltigem Papier 24,6 x 35,1/35,5 cm Unter Glas gerahmt. Im Unterrand mit Tusche signiert, datiert und betitelt 'Feininger Landstraße 24. Sept. 23'. - Insgesamt gebräunt. Drei fachmännisch geschlossene kurze Randeinrisse.

Achim Moeller, Direktor des Lyonel Feininger Project LLC, New York – Berlin, hat die Echtheit dieses Werkes mit Fotoexpertise vom 25. März 2020 bestätigt. Es ist im Archiv des Lyonel Feininger Project unter der Nummer 1648-03-25-20 registriert.

Provenienz
Privatsammlung Nordrhein-Westfalen/USA; seitdem in Familienbesitz

Ausstellungen
Köln 1957 (Kölnischer Kunstverein), Malerei des 20. Jahrhunderts in Kölner Privatbesitz, Kat.Nr. 26

Mitte April 1922 hielt sich Lyonel Feininger für einige Tage in Neubrandenburg auf. Hier entstand am 16. April die erste Bleistiftstudie des Motivs einer baumbestandenen Landstraße, zu einem späteren Zeitpunkt vom Künstler „Chaussee bei Neubrandenburg“ betitelt (heute im Harvard Art Museum/Busch-Reisinger Museum). Hier sind bereits alle wesentlichen Elemente der Bildkomposition angelegt, die fächerförmigen Baumkronen ebenso wie die schräg stehenden Baumstümpfe auf der rechten Seite der Allee und die beiden Spaziergänger im Hintergrund. Am 21. September 1923 arbeitete Feininger das Motiv zu einer aquarellierten Tuschezeichnung aus, die den Hintergrund ausführlicher definiert. Drei Tage später entstand die hier vorliegende, endgültige Version. Die Baumkronen, die für den Künstler von besonderem Interesse waren, dominieren als kristalline, sich nach oben auffächernde Formen den Bildraum. Die teils aufstrebenden, teils umgeknickten Baumstämme bilden mit den übereinanderliegenden Wolkenschichten des hohen Himmels und der in starker Verkürzung in den Bildhintergrund strebenden Landstraße ein spannungsreiches Geflecht aus sich überkreuzenden vertikalen, horizontalen und diagonalen Linien, das dem eigentlich schlichten Landschaftsmotiv eine kraftvolle Dynamik verleiht.""
Lyonel Feininger
Landstraße

Watercolour and pen and India ink drawing on fibrous paper 24.6 x 35.1/35.5 cm Framed under glass. Signed, dated, and titled 'Feininger Landstraße 24. Sept. 23' in India ink in lower margin. - Overall browned. Three professionally closed short marginal tears.

Achim Moeller, Director of the Lyonel Feininger Project LLC, New York – Berlin, has confirmed the authenticity of this work with a photo-certificate dated 25 March 2020. It is registered in the archive of the Lyonel Feininger Project under the number 1648-03-25-20.

Provenance
Private collection, North Rhine-Westphalia/USA; in family possession since

Exhibitions
Cologne1957 (Kölnischer Kunstverein), Malerei des 20. Jahrhunderts in Kölner Privatbesitz, cat. no. 26

In mid-April of 1922 Lyonel Feininger spent several days in Neubrandenburg. There, on 16 April, the artist created his first pencil study of the motif of a tree-lined country lane, which he entitled “Chaussee bei Neubrandenburg” at a later point in time (now at the Harvard Art Museum/Busch-Reisinger Museum). All of the essential elements of the picture's composition are already laid out there: the fan-shaped crowns of the trees as well as the tilted stumps on the right side of the way and the two people walking in the background. On 21 September 1923 Feininger developed this motif into an ink and watercolour-wash drawing, which defines the background in more detail. Three days later he created the final version presented here. The artist was particularly interested in the crowns of the trees, which dominate the pictorial space as crystalline forms fanning out towards the top. Some of the tree trunks rise up and some have been snapped off - together with the layers of clouds lying on top of one another in the lofty sky and the strongly foreshortened country lane pushing into the background, they form an energised web of intersecting vertical, horizontal and diagonal lines that invest what is actually a simple landscape motif with a powerful dynamism.""

Lyonel Feininger
Landstraße

Aquarell und Tuschfederzeichnung auf faserhaltigem Papier 24,6 x 35,1/35,5 cm Unter Glas gerahmt. Im Unterrand mit Tusche signiert, datiert und betitelt 'Feininger Landstraße 24. Sept. 23'. - Insgesamt gebräunt. Drei fachmännisch geschlossene kurze Randeinrisse.

Achim Moeller, Direktor des Lyonel Feininger Project LLC, New York – Berlin, hat die Echtheit dieses Werkes mit Fotoexpertise vom 25. März 2020 bestätigt. Es ist im Archiv des Lyonel Feininger Project unter der Nummer 1648-03-25-20 registriert.

Provenienz
Privatsammlung Nordrhein-Westfalen/USA; seitdem in Familienbesitz

Ausstellungen
Köln 1957 (Kölnischer Kunstverein), Malerei des 20. Jahrhunderts in Kölner Privatbesitz, Kat.Nr. 26

Mitte April 1922 hielt sich Lyonel Feininger für einige Tage in Neubrandenburg auf. Hier entstand am 16. April die erste Bleistiftstudie des Motivs einer baumbestandenen Landstraße, zu einem späteren Zeitpunkt vom Künstler „Chaussee bei Neubrandenburg“ betitelt (heute im Harvard Art Museum/Busch-Reisinger Museum). Hier sind bereits alle wesentlichen Elemente der Bildkomposition angelegt, die fächerförmigen Baumkronen ebenso wie die schräg stehenden Baumstümpfe auf der rechten Seite der Allee und die beiden Spaziergänger im Hintergrund. Am 21. September 1923 arbeitete Feininger das Motiv zu einer aquarellierten Tuschezeichnung aus, die den Hintergrund ausführlicher definiert. Drei Tage später entstand die hier vorliegende, endgültige Version. Die Baumkronen, die für den Künstler von besonderem Interesse waren, dominieren als kristalline, sich nach oben auffächernde Formen den Bildraum. Die teils aufstrebenden, teils umgeknickten Baumstämme bilden mit den übereinanderliegenden Wolkenschichten des hohen Himmels und der in starker Verkürzung in den Bildhintergrund strebenden Landstraße ein spannungsreiches Geflecht aus sich überkreuzenden vertikalen, horizontalen und diagonalen Linien, das dem eigentlich schlichten Landschaftsmotiv eine kraftvolle Dynamik verleiht.""
Lyonel Feininger
Landstraße

Watercolour and pen and India ink drawing on fibrous paper 24.6 x 35.1/35.5 cm Framed under glass. Signed, dated, and titled 'Feininger Landstraße 24. Sept. 23' in India ink in lower margin. - Overall browned. Three professionally closed short marginal tears.

Achim Moeller, Director of the Lyonel Feininger Project LLC, New York – Berlin, has confirmed the authenticity of this work with a photo-certificate dated 25 March 2020. It is registered in the archive of the Lyonel Feininger Project under the number 1648-03-25-20.

Provenance
Private collection, North Rhine-Westphalia/USA; in family possession since

Exhibitions
Cologne1957 (Kölnischer Kunstverein), Malerei des 20. Jahrhunderts in Kölner Privatbesitz, cat. no. 26

In mid-April of 1922 Lyonel Feininger spent several days in Neubrandenburg. There, on 16 April, the artist created his first pencil study of the motif of a tree-lined country lane, which he entitled “Chaussee bei Neubrandenburg” at a later point in time (now at the Harvard Art Museum/Busch-Reisinger Museum). All of the essential elements of the picture's composition are already laid out there: the fan-shaped crowns of the trees as well as the tilted stumps on the right side of the way and the two people walking in the background. On 21 September 1923 Feininger developed this motif into an ink and watercolour-wash drawing, which defines the background in more detail. Three days later he created the final version presented here. The artist was particularly interested in the crowns of the trees, which dominate the pictorial space as crystalline forms fanning out towards the top. Some of the tree trunks rise up and some have been snapped off - together with the layers of clouds lying on top of one another in the lofty sky and the strongly foreshortened country lane pushing into the background, they form an energised web of intersecting vertical, horizontal and diagonal lines that invest what is actually a simple landscape motif with a powerful dynamism.""

Moderne und Zeitgenössische Kunst - Day Sale

Auktionsdatum
Ort der Versteigerung
Neumarkt 3
Köln
50667
Germany

Für Kunsthaus Lempertz Versandinformtation bitte wählen Sie +49 (0)221 9257290.

Wichtige Informationen

Nothing important.

AGB

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Conditions of Sale

1. The art auction house, Kunsthaus Lempertz KG (henceforth referred to as Lempertz), conducts public auctions in terms of § 383 paragraph 3 sentence 1 of the Civil Code as commissioning agent on behalf of the accounts of submitters, who remain anonymous. With regard to its auctioneering terms and conditions drawn up in other languages, the German version remains the official one.

2. The auctioneer reserves the right to divide or combine any catalogue lots or, if it has special reason to do so, to offer any lot for sale in an order different from that given in the catalogue or to withdraw any lot from the sale.

3. All lots put up for sale may be viewed and inspected prior to the auction. The catalogue specifications and related specifications appearing on the internet, which have both been compiled in good conscience, do not form part of the contractually agreed to conditions. These specifications have been derived from the status of the information available at the time of compiling the catalogue. They do not serve as a guarantee in legal terms and their purpose is purely in the information they provide. The same applies to any reports on an item’s condition or any other information, either in oral or written form. Certificates or certifications from artists, their estates or experts relevant to each case only form a contractual part of the agreement if they are specifically mentioned in the catalogue text. The state of the item is generally not mentioned in the catalogue. Likewise missing specifications do not constitute an agreement on quality. All items are used goods.

4. Warranty claims are excluded. In the event of variances from the catalogue descriptions, which result in negation or substantial diminution of value or suitability, and which are reported with due justification within one year after handover, Lempertz nevertheless undertakes to pursue its rights against the seller through the courts; in the event of a successful claim against the seller, Lempertz will reimburse the buyer only the total purchase price paid. Over and above this, Lempertz undertakes to reimburse its commission within a given period of three years after the date of the sale if the object in question proves not to be authentic.

5. Claims for compensation as the result of a fault or defect in the object auctioned or damage to it or its loss, regardless of the legal grounds, or as the result of variances from the catalogue description or statements made elsewhere are excluded unless Lempertz acted with wilful intent or gross negligence; the liability for bodily injury or damages caused to health or life remains unaffected. In other regards, point 4 applies.

6. Submission of bids. Bids in attendance: The floor bidder receives a bidding number on presentation of a photo ID. Lempertz reserves the right to grant entry to the auction. If the bidder is not known to Lempertz, registration must take place 24 hours before the auction is due to begin in writing on presentation of a current bank reference. Bids in absentia: Bids can also be submitted either in writing, telephonically or via the internet. The placing of bids in absentia must reach Lempertz 24 hours before the auction to ensure the proper processing thereof. The item must be mentioned in the bid placed, together with the lot number and item description. In the event of ambiguities, the listed lot number becomes applicable. The placement of a bid must be signed by the applicant. The regulations regarding revocations and the right to return the goods in the case of long distance agreements (§ 312b-d of the Civil Code) do not apply. Telephone bids: Establishing and maintaining a connection cannot be vouched for. In submitting a bid placement, the bidder declares that he agrees to the recording of the bidding process. Bids via the internet: They will only be accepted by Lempertz if the bidder registered himself on the internet website beforehand. Lempertz will treat such bids in the same way as bids in writing.

7. Carrying out the auction: The hammer will come down when no higher bids are submitted after three calls for a bid. In extenuating circumstances, the auctioneer reserves the right to bring down the hammer or he can refuse to accept a bid. If several individuals make the same bid at the same time, and after the third call, no higher bid ensues, then the ticket becomes the deciding factor. The auctioneer can retract his acceptance of the bid and auction the item once more if a higher bid that was submitted on time, was erroneously overlooked and immediately queried by the bidder, or if any doubts regarding its acceptance arise. Written bids are only played to an absolute maximum by Lempertz if this is deemed necessary to outbid
another bid. The auctioneer can bid on behalf of the submitter up to the agreed limit, without revealing this and irrespective of whether other bids are submitted. Even if bids have been placed and the hammer has not come down, the auctioneer is only liable to the bidder in the event of premeditation or gross negligence.

8. Once a lot has been knocked down, the successful bidder is obliged to buy it. If a bid is accepted conditionally, the bidder is bound by his bid until four weeks after the auction unless he immediately withdraws from the conditionally accepted bid. From the fall of the hammer, possession and risk pass directly to the buyer, while ownership passes to the buyer only after full payment has been received.

9. Up to a hammer price of € 400,000 a premium of 24 % calculated on the hammer price plus 19 % value added tax (VAT) calculated on the premium only is levied. The premium will be reduced to 20 % (plus VAT) on any amount surpassing € 400,000 (margin scheme). On lots which are characterized by N, an additional 7 % for import tax will be charged. On lots which are characterized by an D, 35% is calculated on the hammer price (24% buyer´s premium + 19% VAT on the premium only + import tax). 31% is calculated on the amount surpassing € 400.000. The D objects contain all taxes, and tehy can not be carried away immediately. On lots which are characterized by an R, the buyer shall pay a premium of 24 % on the hammer price up to € 400,000 and 20 % on the surpassing amount; onto this (hammer price and premium) the statutory VAT of 19 % will be added (regular scheme). Exports to third (i.e. non-EU) countries will be exempt from VAT, and so will be exports made by companies from other EU member states if they state their VAT identification number. For original works of art, whose authors are either still alive or died after 31.12.1948, a charge of 1.8 % on the hammer price will be levied for the droit de suite. The maximum charge is € 12,500. If a buyer exports an object to a third country personally, the VAT will be refunded, as soon as Lempertz receives the export and import papers. All invoices issued on the day of auction or soon after remain under provision.

10. Successful bidders attending the auction in person shall forthwith upon the purchase pay to Lempertz the final price (hammer price plus premium and VAT) in Euro. Payments by foreign buyers who have bid in writing or by proxy shall also be due forthwith upon the purchase, but will not be deemed to have been delayed if received within ten days of the invoice date. Bank transfers are to be exclusively in Euros. The request for an alteration of an auction invoice to a person other than the bidder has to be made immediately after the auction. Lempertz however reserves the right to refuse such a request if it is deemed appropriate.

11. In the case of payment default, Lempertz will charge 1% interest on the outstanding amount of the gross price per month.. If the buyer defaults in payment, Lempertz may at its discretion insist on performance of the purchase contract or, after allowing a period of grace, claim damages for non-performance. In the latter case, Lempertz may determine the amount of the damages by putting the lot or lots up for auction again, in which case the defaulting buyer will bear the amount of any reduction in the proceeds compared with the earlier auction, plus the cost of resale, including the premium.

12. Buyers must take charge of their purchases immediately after the auction. Once a lot has been sold, the auctioneer is liable only for wilful intent or gross negligence. Lots will not, however, be surrendered to buyers until full payment has been received. Without exception, shipment will be at the expense and risk of the buyer. Purchases which are not collected within four weeks after the auction may be stored and insured by Lempertz on behalf of the buyer and at its expense in the premises of a freight agent. If Lempertz stores such items itself, it will charge 1 % of the hammer price for insurance and storage costs.

13. As far as this can be agreed, the place of performance and jurisdiction is Cologne. German law applies; the German law for the protection of cultural goods applies; the provisions of the United Nations Convention on Contracts for the International Sale of Goods (CISG) are not applicable. Should any provision herein be wholly or partially ineffective, this will not affect the validity of the remaining provisions.

Henrik Hanstein, sworn public auctioneer
Takuro Ito, Kilian Jay von Seldeneck, auctioneers

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