Los

10

Burkhardt, Heinrich (1904 Altenburg in Thüringen – 1985 Berlin)

In 19. Pommersche Kunstauktion

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Burkhardt, Heinrich (1904 Altenburg in Thüringen – 1985 Berlin) - Bild 1 aus 7
Burkhardt, Heinrich (1904 Altenburg in Thüringen – 1985 Berlin) - Bild 2 aus 7
Burkhardt, Heinrich (1904 Altenburg in Thüringen – 1985 Berlin) - Bild 3 aus 7
Burkhardt, Heinrich (1904 Altenburg in Thüringen – 1985 Berlin) - Bild 4 aus 7
Burkhardt, Heinrich (1904 Altenburg in Thüringen – 1985 Berlin) - Bild 5 aus 7
Burkhardt, Heinrich (1904 Altenburg in Thüringen – 1985 Berlin) - Bild 6 aus 7
Burkhardt, Heinrich (1904 Altenburg in Thüringen – 1985 Berlin) - Bild 7 aus 7
Burkhardt, Heinrich (1904 Altenburg in Thüringen – 1985 Berlin) - Bild 1 aus 7
Burkhardt, Heinrich (1904 Altenburg in Thüringen – 1985 Berlin) - Bild 2 aus 7
Burkhardt, Heinrich (1904 Altenburg in Thüringen – 1985 Berlin) - Bild 3 aus 7
Burkhardt, Heinrich (1904 Altenburg in Thüringen – 1985 Berlin) - Bild 4 aus 7
Burkhardt, Heinrich (1904 Altenburg in Thüringen – 1985 Berlin) - Bild 5 aus 7
Burkhardt, Heinrich (1904 Altenburg in Thüringen – 1985 Berlin) - Bild 6 aus 7
Burkhardt, Heinrich (1904 Altenburg in Thüringen – 1985 Berlin) - Bild 7 aus 7
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Burkhardt, Heinrich (1904 Altenburg in Thüringen 1985 Berlin)Zwei Fischer am KahnAquarell, unten links signiert und datiert, 1949, Maße: 39,5x49 cm (Blattgröße), Passepartout, verso eigenhändig betitelt und bezeichnet: Ahrenshoop 1949Von 1918 bis 1922 absolvierte Heinrich Burkhardt eine Lithographenlehre und besuchte die Zeichenschule des Lindenau-Museums in Altenburg. Zwischen 1924 und 1931 studierte er an der Kunstakademie Dresden bei Otto Gussmann und Georg Lührig. Heinrich Burkhardt war Mitglied der Dresdner Sezession 1932. Im Jahr 1937 wurden seine Werke als entartet verfemt. 1945 wurde sein gesamtes bisheriges Werk beim Bombenangriff auf Dresden zerstört. Seit 1945 wohnte Heinrich Burkhardt wieder in Altenburg und wurde Leiter der Zeichenschule des Lindenau-Museums. 1947 folgte seine Ernennung zum Professor, woraufhin er 1950 nach Berlin übersiedelte. In den Jahren 1950 bis 1968 war Burkhardt Lehrer an der Fachschule für angewandte Kunst in Berlin-Schöneweide, dann an der Hochschule für Bildende und Angewandte Kunst in Berlin-Weißensee. Im Mittelpunkt des malerischen und graphischen Werkes stehen Bildnisse einfacher Menschen und Landschaften. Aquarelle meist mit zeichnerischem Gerüst von Rohrfeder. 1961 erhielt er einen Lehrauftrag am Institut für Kunsterziehung der Humboldt-Universität zu Berlin. Nach 1968 lebte Heinrich Burkhardt als freier Maler in Berlin. - Werke von Heinrich Burkhardt befinden sich unter anderem im Angermuseum, Kunstarchiv Beeskow, Lindenau-Museum und im Neuen Museum Weimar. - From 1918 to 1922 Heinrich Burkhardt completed a lithograph apprenticeship and attended the drawing school of the Lindenau Museum in Altenburg. Between 1924 and 1931 he studied at the Dresden Art Academy with Otto Gussmann and Georg Lührig. Heinrich Burkhardt was a member of the Dresden Secession in 1932. In 1937 his works were ostracized as degenerate. In 1945 his entire previous work was destroyed in the bombing raid on Dresden. Heinrich Burkhardt resided in Altenburg since 1945 and became head of the drawing school of the Lindenau Museum. In 1947 he was appointed professor, whereupon he moved to Berlin in 1950. From 1950 to 1968, Burkhardt was a teacher at the technical school for applied arts in Berlin-Schöneweide, then at the university for fine arts and applied arts in Berlin-Weißensee. The focus of the painterly and graphic work are portraits of simple people and landscapes. In 1961 he received a teaching position at the Institute for Art Education at the Humboldt University in Berlin. After 1968 Heinrich Burkhardt lived as a freelance painter in Berlin. - Works by Heinrich Burkhardt can be found in the Angermuseum, the Beeskow Art Archive, the Lindenau Museum and the Neues Museum Weimar, among others.
Burkhardt, Heinrich (1904 Altenburg in Thüringen 1985 Berlin)Zwei Fischer am KahnAquarell, unten links signiert und datiert, 1949, Maße: 39,5x49 cm (Blattgröße), Passepartout, verso eigenhändig betitelt und bezeichnet: Ahrenshoop 1949Von 1918 bis 1922 absolvierte Heinrich Burkhardt eine Lithographenlehre und besuchte die Zeichenschule des Lindenau-Museums in Altenburg. Zwischen 1924 und 1931 studierte er an der Kunstakademie Dresden bei Otto Gussmann und Georg Lührig. Heinrich Burkhardt war Mitglied der Dresdner Sezession 1932. Im Jahr 1937 wurden seine Werke als entartet verfemt. 1945 wurde sein gesamtes bisheriges Werk beim Bombenangriff auf Dresden zerstört. Seit 1945 wohnte Heinrich Burkhardt wieder in Altenburg und wurde Leiter der Zeichenschule des Lindenau-Museums. 1947 folgte seine Ernennung zum Professor, woraufhin er 1950 nach Berlin übersiedelte. In den Jahren 1950 bis 1968 war Burkhardt Lehrer an der Fachschule für angewandte Kunst in Berlin-Schöneweide, dann an der Hochschule für Bildende und Angewandte Kunst in Berlin-Weißensee. Im Mittelpunkt des malerischen und graphischen Werkes stehen Bildnisse einfacher Menschen und Landschaften. Aquarelle meist mit zeichnerischem Gerüst von Rohrfeder. 1961 erhielt er einen Lehrauftrag am Institut für Kunsterziehung der Humboldt-Universität zu Berlin. Nach 1968 lebte Heinrich Burkhardt als freier Maler in Berlin. - Werke von Heinrich Burkhardt befinden sich unter anderem im Angermuseum, Kunstarchiv Beeskow, Lindenau-Museum und im Neuen Museum Weimar. - From 1918 to 1922 Heinrich Burkhardt completed a lithograph apprenticeship and attended the drawing school of the Lindenau Museum in Altenburg. Between 1924 and 1931 he studied at the Dresden Art Academy with Otto Gussmann and Georg Lührig. Heinrich Burkhardt was a member of the Dresden Secession in 1932. In 1937 his works were ostracized as degenerate. In 1945 his entire previous work was destroyed in the bombing raid on Dresden. Heinrich Burkhardt resided in Altenburg since 1945 and became head of the drawing school of the Lindenau Museum. In 1947 he was appointed professor, whereupon he moved to Berlin in 1950. From 1950 to 1968, Burkhardt was a teacher at the technical school for applied arts in Berlin-Schöneweide, then at the university for fine arts and applied arts in Berlin-Weißensee. The focus of the painterly and graphic work are portraits of simple people and landscapes. In 1961 he received a teaching position at the Institute for Art Education at the Humboldt University in Berlin. After 1968 Heinrich Burkhardt lived as a freelance painter in Berlin. - Works by Heinrich Burkhardt can be found in the Angermuseum, the Beeskow Art Archive, the Lindenau Museum and the Neues Museum Weimar, among others.

19. Pommersche Kunstauktion

Auktionsdatum
Ort der Versteigerung
Karlstraße 3
Koserow
17459
Germany

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Auction and sales conditions for bidders and/or purchasers

1. The participation in the preliminary review, the acceptance of a bidder number, or the submission of a bid in person, in writing or by phone is deemed as express confirmation by the bidder that he/she has received the auctioning and sales conditions below and recognizes them as agreed with Koserower Kunstsalon
2. The auction is carried out voluntarily on the basis of the suppliers' orders. Koserower Kunstsalon auction as commissioned agents on their own behalf and for the account of those suppliers who remain anonymous.
3. All objects to be auctioned may be reviewed and inspected prior to the auction at the scheduled dates. Interested parties shall be liable for damage caused by them on displayed objects and exposition-related equipment. The condition of the objects correspond to their age; defects are mentioned in the catalog only if they affect the overall visual appearance; a detailed report of the condition may be requested for each object free of charge.
4. The objects to be auctioned are used and are offered in the condition at the time of call without the auctioneers assuming liability for defects in title and/or quality defects. The catalog descriptions are made with due diligence and to the best knowledge and belief, however they do not represent any warranted qualities pursuant to the law of sales, particularly in accordance with 459 ff. BGB [German civil law]. The same applies for illustrations in the catalog; their purpose is to guide the interested parties in the preliminary review; they are not relevant for the condition or the quality of the object. The start prices stated in the catalog are EURO prices and have been agreed with the suppliers as the lowest permissible bid. Bids below are accepted subject to reservation, but require the consultation and consent of the suppliers.
5. The auctioneers reserve the right to combine or separate catalog numbers, to call them in an order different from that indicated in the catalog or to withdraw them. Bids are raised at the discretion of the auctioneers, generally by rounded 5-10 % of the previous bid.
6. Bidders personally present who are unknown to the auctioneers are principally requested to identify their authorization, e.g. by presenting an identification card. Parties interested in buying but cannot or do not wish to be present at the auction in person, may submit a written bid to the auctioneers. These bids are considered as bids already made during the auction, excluding, however surcharges, turnover tax or other relevant duties. The catalog number indicated is explicitly authoritative for any written bids that are unclear. The auctioneers may also request authorization from those submitting written bids who are unknown to them; such authorization must be submitted by 12:00 a.m. of the day prior to the auction. Any written bid is used only to the amount required to outbid another bid. The auctioneers assume no responsibility for the correctness of written bid processing. Bids received by phone are permitted only if the bidder has previously been admitted by the auctioneers in writing. In particular cases the auctioneers may, however, admit such bids by phone even if no previous written confirmation has been received. Incorrectly transmitted orders and bids are in the responsibility of the bidder. Otherwise the provisions for written bids are likewise applicable for such bids by phone.
7. If a bidder wishes to make a bid on behalf of another bidder, the auctioneers must be notified by supplying the name and address of the person being represented prior to the auction. Otherwise the purchase contract is concluded with the bidder in the case of an award. The bidder alone is liable to the auctioneers for the legal validity of the proxy; in the case of doubt, the purchase contract is considered concluded with the bidder in the case of an award.
8. An award is given if no higher bid is presented after three calls of a bid. However, an entitlement to the acceptance of a bid does basically not exist. Irrespective of the possibility to refuse an award, the auctioneers may give an award with reservation; this applies in particular if the minimum award price specified by the supplier has not been attained. In the case of a reserved award the bidder is bound by his/her bid for 21 days after the date of the award. Should the bid be confirmed in writing by the auctioneers within this period, the award is considered given; otherwise the award is considered refused. Should several equal bids be presented, the decision is made by the earlier time. If a disagreement on an award cannot be immediately resolved, the number is offered again. When the award is granted, a purchase contract is considered concluded between the auctioneers and the bidder who wins the award.
9. A surcharge of 22 % is added to the award price. In accordance with the provisions of the margin taxation (25a UStG), value added tax is not indicated.
10. An award implies the obligation of acceptance and payment. Ownership is transferred to the buyer only upon complete payment, the risk of damage is transferred to the buyer upon award. The purchase price is due upon award unless otherwise agreed to in writing. The payments are to be rendered in Euro to the auctioneers. Checks are only accepted on account of performance. Any costs, fees and taxes for bank transfers including deducted bank expenses are at the expense of the buyer. Payments from non-resident buyers who have bidden in writing or by phone are due within 10 days after the date of the invoice unless otherwise agreed to in writing. The buyer may only offset undisputed or legally enforceable claims against the auctioneers; rights of retention are excluded unless they are based on the same contractual relationship.Invoices issued during or immediately after the auction must be reviewed, errors excepted.
11. The delivery of the purchased objects is effected when cash payment is received. The objects, however, will principally not be handed over prior to full payment. The buyer is obligated to pick up his/her purchase immediately during the business hours of Koserower Kunstsalon or at the agreed time but within 14 days after the date of the award at the latest. A shipping order must be submitted in writing by the buyer to the auctioneers within 7 days after the date of the award. Orders for the shipment, storage and packaging will be given to competent forwarders specialized in art objects. Such orders are exclusively placed at the expense and risk of the buyer; the buyer is considered the orderer even if the auctioneers have placed the order on the buyer's behalf. Upon expiry of the terms mentioned above the buyer is in default of acceptance. Should the buyer fail to pick-up his/her purchase(s) despite an extension of time set by the auctioneers, the autioneers are entitled to have the purchase(s) stored by a fowarder specialized in art objects at the buyer's risk and expense, including the costs for insurance. The buyer will be notified of this in writing.
12. Should the buyer be in default in payment, the auctioneers may claim interest on defaulted payment in the amount of 1 % for each commenced month, irrespective of other claims.Thirty days after the commencement of the default, the auctioneers are entitled - and obligated upon request of the supplier - to inform the supplier of the name and address of the buyer. Otherwise the auctioneers may claim either the performance of the purchase contract or damages for default after setting an adequate deadline. In this case, the damages may be charged by auctioning the relevant object in another auction again and having the defaulting buyer pay for any reduced profit as against the previous auction as well as for the costs of the repeated auction. The buyer shall not be entitled to any additional profit.
13. The auctioneers shall not be liable for defects, provided that they have fulfilled their obligation to exercise due care; any liability on the part of the auctioneers for frames and glazing is excluded. The auctioneers however undertake to assert their guarantee claims against the supplier due to justified complaints submitted in due time within the limitation period. With regard to defects relating to the genuineness of an object, the limitation period is 365 days, for all other defects 180 days after the date of the award. In the case of a successful claim against the supplier, the auctioneers will reimburse the buyer the award price, the surcharge and the calculated costs, provided these amounts have been paid to the auctioneers. Any claims exceeding said claim are excluded.
14. All aforementioned provisions shall apply accordingly for the open-market sale of the objects supplied and not awarded in the auction. The open-market sale ends 30 days after the date of the auction.
15. The transactions concluded herein are governed exclusivelyby German law. Place of performance is Koserow. Place of jurisdiction, insofar as it can be agreed upon, is Greifswald.
16. Should one or several of the provisions of this contract be or become invalid, the validity of the remaining provisions is not affected.

Auctioneer
Ralf Waschkau

Vollständige AGBs