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Francesco Fracanzano (Monopoli 1612 - Napoli 1656) attribuito
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Milan, Italy
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Francesco Fracanzano (Monopoli 1612 - Napoli 1656) attribuitoSan PietroOlio su tela84,5 x 66,5 cmL'opera, per una giusta comparazione, va avvicinata al San Pietro portato al martirio passato da Daguerre S.V.V. a Parigi il 28 marzo 2023. Oppure stilisticamente affine San Pietro Penitente dei Musei Civici di Pavia. In queste opere emergono le mani possenti e nodose, il volto meditabondo e contrito del santo con la fronte solcata da profonde e fitte rughe. Elementi, questi, che rimandano ad un accentuato realismo di derivazione caraveggesca e al crudo naturalismo riberesco, ovvero alle fonti d'ispirazione primarie del pittore pugliese.Trasferitosi a Napoli con la famiglia nel 1625, Francesco Fracanzano sposò, ventenne, la sorella di Salvator Rosa, Giovanna. Sempre a Napoli, secondo De Dominici, si formò con il fratello Cesare, nella bottega di Juseppe de Ribera. La ricchezza dei riferimenti culturali, non esclusivamente ribereschi, fa ipotizzare che le sue prime opere siano frutto dell’incontro del riberismo con le influenze di Antoon van Dyck. Sempre alla fase iniziale del pittore sono stati ricondotti quei dipinti in cui il Fracanzano citava brani di autentico naturalismo, sulla scia di Filippo Vitale, Giovanni Do, il Maestro degli Annunci ai pastori e Bartolomeo Bassante. In seguito, pur restando fedele al verbo del Ribera, appaiono nella sua pittura gli elementi classicistici, da Massimo Stanzione a Simon Vouet, elementi che nel progredire della sua attività divennero sempre più prevalenti. Alla metà del quarto decennio l’artista sposò le proposte di matrice fiamminga, adottando una tecnica in grado di conciliare le scelte pittoriche più innovative con una cura dei dettagli di Vouet, nonché il suo perlaceo incarnato dei volti, e l'austero contenimento della forma di Francesco Guarino e Bernardo Cavallino.Francesco Fracanzano (Monopoli 1612 - Naples 1656) attributedSaint PeterOil on canvas84,5 x 66,5 cmFor a fair comparison, the artwork must be compared to Saint Peter Brought to Martyrdom by Daguerre S.V.V. in Paris on the 28th of March 2023. Or stylistically similar to Saint Peter the Penitent of the Civic Museums of Pavia. In these artworks emerge the powerful and gnarled hands, the meditative and contrite face of the saint with the forehead furrowed by deep and thick wrinkles. These elements refer to an accentuated realism of Caravaggio derivation and the raw Riberesque naturalism, or rather to the primary sources of inspiration of the Apulian painter.
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Francesco Fracanzano (Monopoli 1612 - Napoli 1656) attribuitoSan PietroOlio su tela84,5 x 66,5 cmL'opera, per una giusta comparazione, va avvicinata al San Pietro portato al martirio passato da Daguerre S.V.V. a Parigi il 28 marzo 2023. Oppure stilisticamente affine San Pietro Penitente dei Musei Civici di Pavia. In queste opere emergono le mani possenti e nodose, il volto meditabondo e contrito del santo con la fronte solcata da profonde e fitte rughe. Elementi, questi, che rimandano ad un accentuato realismo di derivazione caraveggesca e al crudo naturalismo riberesco, ovvero alle fonti d'ispirazione primarie del pittore pugliese.Trasferitosi a Napoli con la famiglia nel 1625, Francesco Fracanzano sposò, ventenne, la sorella di Salvator Rosa, Giovanna. Sempre a Napoli, secondo De Dominici, si formò con il fratello Cesare, nella bottega di Juseppe de Ribera. La ricchezza dei riferimenti culturali, non esclusivamente ribereschi, fa ipotizzare che le sue prime opere siano frutto dell’incontro del riberismo con le influenze di Antoon van Dyck. Sempre alla fase iniziale del pittore sono stati ricondotti quei dipinti in cui il Fracanzano citava brani di autentico naturalismo, sulla scia di Filippo Vitale, Giovanni Do, il Maestro degli Annunci ai pastori e Bartolomeo Bassante. In seguito, pur restando fedele al verbo del Ribera, appaiono nella sua pittura gli elementi classicistici, da Massimo Stanzione a Simon Vouet, elementi che nel progredire della sua attività divennero sempre più prevalenti. Alla metà del quarto decennio l’artista sposò le proposte di matrice fiamminga, adottando una tecnica in grado di conciliare le scelte pittoriche più innovative con una cura dei dettagli di Vouet, nonché il suo perlaceo incarnato dei volti, e l'austero contenimento della forma di Francesco Guarino e Bernardo Cavallino.Francesco Fracanzano (Monopoli 1612 - Naples 1656) attributedSaint PeterOil on canvas84,5 x 66,5 cmFor a fair comparison, the artwork must be compared to Saint Peter Brought to Martyrdom by Daguerre S.V.V. in Paris on the 28th of March 2023. Or stylistically similar to Saint Peter the Penitent of the Civic Museums of Pavia. In these artworks emerge the powerful and gnarled hands, the meditative and contrite face of the saint with the forehead furrowed by deep and thick wrinkles. These elements refer to an accentuated realism of Caravaggio derivation and the raw Riberesque naturalism, or rather to the primary sources of inspiration of the Apulian painter.
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